Based on 3Peat Comedy’s acclaimed sketch of the same name, director Tim Story’s savvy and vicious skewering of genre film tropes poses the sardonic question: if the entire cast of a horror movie is Black, who dies first?


Midnight Madness

The Blackening

Tim Story

It is a tale as old as the misbegotten phrase “let’s split up”; a group of friends on a weekend getaway find themselves at the mercy of a masked killer. Watch enough horror movies, and you don’t have to be Randy from Scream to surmise that if you’re a token minority in this scenario, the odds of you making it to the end credits are slim. But for the all-Black ensemble in The Blackening, who have gathered to celebrate Juneteenth at a cabin in the woods, the sudden appearance of a veritable Voorhees in their midst triggers a reflexive series of savvy and brutal interrogations of each other’s Blackness, all in a bid to avoid being first on the chopping block.

Bolstered by the downright infectious chemistry of its fantastic cast, which includes co-writer Dewyane Perkins alongside Antoinette Robertson (the Dear White People series), Melvin Gregg (High Flying Bird), Grace Byers (Empire), and Jermaine Fowler (Coming 2 America), this sardonically side-splitting horror-comedy dishes its comic racial barbs with clever genre burlesque, like a battle rapper negotiating a Jigsaw killer’s trap. Expanding on the acute punchlines from the viral hit 3Peat Comedy sketch of the same name, writers Perkins and Tracy Oliver have combined a wickedly smart genre spoof with pointed social satire propelled by richly drawn characters. And thanks to Tim Story’s seasoned direction, these ingredients cohere as a charismatic Midnight Madness crowd-pleaser.


Content advisory: racist imagery, accident trauma, violence, coarse language


Sat Sep 10

Royal Alexandra Theatre

Sun Sep 11

Scotiabank 12

Sun Sep 11

Scotiabank 4

Fri Sep 16

Scotiabank 3